We rattle across the coastal plain. It could be a scene from Dante. A Hadean landscape littered with towering stacks belching jets of flame and smoke. Chemical factories glitter in the dark like vast futuristic cities which never sleep. Earth moving machines crawl over towering mountains of coal, feeding the ever hungry foundries which gush rivers of molten steel. The air is heavy and oppressive, the soil blackened by decades of pollution. Nothing grows here except dry scrub grass. The air is filled with the ever present reek of sulphur. It is the land of Mordor made real.
We chug past the Shell oil terminal where tankers from eastern Europe unload round the clock. The floor tilts and creaks as we cross the set of points which leads onto the final run in to the station. We pass untidy allotment gardens and a run down static caravan site. Just a couple of minutes now.
Sitting on a rocky outcropping at the mouth of a vast muddy estuary Sleeburn-on-Sea has been a summer retreat for the working population of the Teasle river basin since Victorian times. A dilapidated, ugly town, it has never developed the charm of Scarborough or Whitby. The pier which attracted summer crowds from Harlesmere and Redbank has long since decayed into the sea. The shabby station is a relic from a heyday long since passed. It’s large platform clock stuck forever at two minutes to twelve.
The blast, when it comes, is muted. I see it frame by frame, in slow motion. I have time to take in every detail as it occurs. The door of the toilet cubicle swells slightly, recedes then drifts across the corridor, hits the wall and floats to the floor to lie quivering. The fireball swells, taking on the appearance of a cumulus cloud. A great rosy glow surrounded by ball of grey smoke. There is very little sound. Just a dull thump, followed by a shudder under my feet.
The firestorm rolls towards me, a deep muffled roar, preceded by sharp hissing sound as the air in the carriage is sucked into the conflagration. The flames fan out over every surface, like a wave lapping over the shore. I feel the draft wash over me, causing me to sway gently as I am buffeted. I brace myself for the agony to come, my eyes squeezed shut.
There is a judder as the train’s diesel fuel ignites, but the expected pain does not arrive. I open my eyes. The initial ball of fire has swept over me. I am standing amongst the burning debris as though I am made of asbestos. The tongues of flame lick around me, over me, but I do not burn.
I look around and observe the passengers. Those closest to the explosion are already dead. Mangled so badly they are scarcely recognisable as human. Those nearer at hand wear expressions of mingled horror and anger. Eyes wide, each mouth frozen in a terrified rictus as death swoops down upon them.
A man near to me is engulfed in flame, showered by the burning diesel. He beats himself uselessly, succeeding only in spreading the flames from his body to his arms. He collapses slowly to the floor, a sooty human candle. A smell like barbecued pork rises from his ruined corpse.
Everywhere glass is flying, embedding itself into muscle tissue. Safety glass, it doesn’t form shards, but contrives small pellets which scatter like buckshot. The effect upon impact is similar. The furnace formed by the confined space quickly turns it molten and it sizzles and burns its way down to the bone.
The debris begins to settle. The rending shriek of over stressed metal subsides, leaving just the occasional crackle of burning electrics. The faint aroma of seared flesh. It is dark now, the fluorescent light having been consumed by flame. Just a few fragments of burning seat fabric light the carnage. The silence is eerie.
Then the screaming starts. A lone female voice at first, quickly joined by others. Pathetic, futile cries for help.
I turn towards the door. He is standing there, surveying my handiwork. He wears a satisfied expression. He beckons to me and steps out of the wreckage onto the platform. I follow, feeling the crunch of broken glass beneath the soles of my safety boots.
A blackened hand reaches out, clawing at my trouser leg. I can’t tell whether it is male or female, young or old. The hair and clothes partially burned away. Skin peeling in sheets, exposing pink weeping under layers. The outline of a set of plastic headphones is fused to the cheeks. Blood oozes from shattered eardrums. It stares up at me, lidless eyes pleading. A whimper comes from the maw where the lips have been melted away, leaving a meaty skeletal grin.
If the gruesome creature is expecting pity there will be none forthcoming. I shake my leg free and smash my boot into it’s disfigured face, directly between the eyes. My steel toe cap shatters the skull and the corpse falls back amongst the detritus without another sound. This is becoming almost easy.
I make my way out onto the platform and survey the wreckage. Thick, oily black smoke billows from the shattered train, reconciling itself into a vast rising stack. Jimmy Clegg is hanging from the window of the drivers cab. He wriggles and squirms as he attempts to force his bloated torso through the narrow aperture. The inferno is still raging at that end of the train causing the metal superstructure to buckle and twist. He screams to me for help. The sound reminds me of pigs in a slaughter house. Quite appropriate really. I give him a mock salute.
A dark haired woman is trying to drag herself from the middle doors, closest to where the explosion took place. She seems untouched by the flames and shrapnel. She slides onto the platform and lies still. There are two bloody stumps where her legs have been severed by jagged metal. The tips of shattered femurs protrude grotesquely.
I shake my head in disgust and head toward the waiting black limousine.
--END--